Recording, Mixing and Mastering
Published on 13/07/2026
Anyone who’s started buying analog outboard gear is familiar with this situation: a few compressors, a couple of equalizers, preamps, stereo effects… and suddenly the back of the rack becomes a tangled mess of cables that’s impossible to manage.
Every new connection takes time. Every change interrupts the creative flow. And remembering how a session was configured a few weeks earlier becomes nearly impossible.
This is precisely why more and more professionals are adopting Software-Controlled Analog Routing systems, and one of the most interesting examples comes straight from the studio of producer and content creator Andrew Huang.
In his latest studio tour, Andrew Huang takes viewers on a tour of his creative space, showcasing synthesizers, modular systems, drums, guitars, analog processors, and workstations.
Among all this gear, however, there’s one element that connects practically everything else: Flock Audio PATCH.
It’s not presented as just another accessory, but as the nerve center of the entire studio.
Instead of constantly unplugging cables or using a traditional patchbay, Andrew manages the entire routing directly from his computer, calling up any configuration in just a few seconds.
Flock Audio PATCH is a fully software-controlled analog routing system.
Unlike traditional passive patchbays, all connections are created digitally, while the signal remains entirely analog at all times.
This means you can:
The result is a much faster, more organized, and fully recallable system.
One of the most interesting aspects of the Flock philosophy is that it does not alter the audio path.
The software controls only the routing matrix.
The audio continues to travel exclusively through high-quality analog circuits, without any additional conversions, maintaining all the transparency required in professional productions.
In practice, this gives you the flexibility typical of a DAW applied to analog hardware.
Studios have changed in recent years.
More and more producers are working in hybrid setups, switching between plugins and outboard gear within the same project.
In this scenario, a traditional patchbay quickly becomes a bottleneck.
With Flock PATCH, you can completely change your studio setup without leaving your workstation.
A compressor can be switched from the mix bus to the vocal track in just a few moments.
An equalizer can be moved from recording to mastering with a single click.
Everything is saved within the session.
The fact that Andrew Huang has chosen to use Flock PATCH in his studio confirms a trend already evident in many professional studios.
More and more sound engineers, producers, and mastering engineers are replacing traditional patchbays with software-controlled routing systems, drastically reducing setup time and increasing workflow speed.
For those who use a lot of analog gear, the benefits become apparent after just a few days of use.
Whether you’re designing a hybrid studio or want to simplify the routing of your analog hardware without sacrificing signal quality, Flock Audio PATCH is one of the most innovative solutions available today.
And the tour of Andrew Huang’s studio perfectly demonstrates how this technology can become the true nerve center of modern music production.
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