AVANTONE Mixcube Active Mono Red
Mix and Recording Active Studio Monitor
€ 289,00 (€ 236,89 + VAT)
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Banca Sella Personal Credit - Low Rate Financing

Purchase price:
€ 289,00
Finance from
€
17,35
/ month
Number of payments | Monthly payment | Tan | Taeg | Interests | Fees on monthly payment | Total fees | Finance tax | Total amount due |
---|---|---|---|---|---|---|---|---|
6 months | € 49,60 | 10,13% | 34,18% | € 8,60 | € 0 | € 0 | € 16,00 | € 313,60 |
9 months | € 33,45 | 9,90% | 26,50% | € 12,05 | € 0 | € 0 | € 16,00 | € 317,05 |
12 months | € 25,40 | 9,94% | 22,73% | € 15,80 | € 0 | € 0 | € 16,00 | € 320,80 |
18 months | € 17,35 | 9,95% | 18,81% | € 23,30 | € 0 | € 0 | € 16,00 | € 328,30 |
- Monthly costs for practical management (indicated in the table) included in the TAEG
- € 16,00 finance tax included in the TAEG
- Finance policy.
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AVANTONE Mixcube Active Mono Red
Mix and Recording Active Studio Monitor
The Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations.
The secondary engineering facet was to create a timeless design that compliments a single full-range transducer.
Studios primarily use 2-way & 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal/guitar/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R&D comparative listening & tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.
Cabinet Design
The original 5C Sound Cubes™ were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1/2″) sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5/8”-27 mic stand mount into the base.
Driver Design
The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed & crafted using the finest New Zealand pulp with mica fibers added for lighter weight & rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.
Amplifier Design
We designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.
Specifications
- System Type: Active (Self-powered) shielded full-range stereo pair
- Frequency Response: 90Hz – 17,000Hz (useful musical range)
- Impendance: Nominal 8 ohms
- Max SPL: 104db @ 1 meter = 1%THD (PINK NOISE)
- Amplifier Type: Class A/B
- Amplifier Power: 60 watts RMS@ .005% THD (1KHz)
- Amp Frequency Response: 22Hz-50KHz +0dB/- 3dB (90Hz-50KHz +/-0dB)
- Noise: S/N -113 dB
- Sensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL
- Driver: Proprietary design 5.25″ cast aluminum frame / paper cone / shielded
- Cabinet: sealed / 18mm MDF / Dacron acoustical stuffing
- Inputs: XLR & TRS (COMBO JACK) +4/Balanced and -10 unbalanced
- Weight: 7.13lbs (per monitor)
- Dimensions: 6.5″ x 6.5″ x 6.5″
Weight | 6.00 kg |
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Return and restocking option is available for private customers only. We will issue a refund/credit if you are not satisfied with your purchase and notify us within 10 days of product receipt. It must be returned in the original packaging and in saleable condition and must be returned freight prepaid. Return and restocking rights are not applicable for Audio/Video and software products. Shipping and handling charges to and from are not refundable.
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