Neumann V 402

Microphone preamp with DI inputs and a high-class headphone amplifier

  • The perfect complement to all Neumann microphones
  • Fully transparent sound without unwanted coloration
  • DI inputs with high impedance for a brilliant sound
  • Studio quality headphone amplifier for precise monitoring
  • Handmade in Germany

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Neumann V 402

Microphone preamp with DI inputs and a high-class headphone amplifier

The V 402 is a state-of-the art dual channel microphone preamplifier with an integrated studio grade headphone amplifier. Its transformerless circuitry is designed for maximum transparency and sonic purity. The V 402 is thus the perfect complement to all Neumann microphones in order to unveil the true character of voices and instruments.

The Perfect Match

The V 402 is Neumann’s first-ever stand-alone microphone preamp, although the company has created several generations of top-quality preamp modules for its mixing consoles, such as the now legendary V 476 B of the 1980s. Technology, of course, has moved on. Yet the fundamental question remains: What would be the perfect preamp for Neumann and other high-quality studio microphones? All Neumann microphones, classics as well as current models, have highly unique sound characteristics. The V 402 preamplifier is thus designed to preserve the integrity of the microphone’s sound image. At any gain setting, it neither adds or detracts. Perfection cannot be perfected!

Natural Splendor

The Neumann V 402 is designed for the highest degree of linearity and sonic purity. It amplifies the microphone signal without unwanted coloration or sonic artifacts such as noise and distortion. These days, even inexpensive preamps claim to be “linear” and “neutral”, but they often lack finesse and sonic detail; the output signal appears “dull” and “grey”, especially at higher gain settings. It took an elaborate development process with extensive series of measurements and critical listening tests to create a preamplifier worthy of the Neumann name. The V 402 retains the original signal in full detail, letting its true colors shine.

The DI inputs, too, are designed for sonic purity and will capture the sound of electric guitars and bass guitars as well as other instruments without coloration or loss of detail. Sophisticated circuitry and a very high input impedance ensure a brilliant sound with no audible noise.

A switchable 20 dB pad allows the V 402 to be used with high level sources up to 28 dBu without distortion. The high pass function is carefully designed to remove pops and rumble without signal degradation.

For easy monitoring the V 402 is equipped with a studio grade headphone amplifier ensuring
superb monitoring quality at the recording stage. Independent volume controls for each channel allow you to dial in a latency-free monitoring mix without affecting the recorded signal.


Specifications

Frequency Range <10 Hz to >100 kHz (-3 dB@ 40 dB Gain)
Mains Power Supply: Input Voltage; frequency 100-120 V and 220-240 V; 50 Hz/60 Hz
Power Consumption max. 25 W
Ground Lift switchable on/off
Microphone Inputs: Connector 2 x XLR 3 F
Microphone Inputs: Input Impedance approx. 3 kΩ
Microphone Inputs: Minimum Gain +20 dB (PAD off)
Microphone Inputs: Maximum Gain +60 dB (PAD off)
Microphone Inputs: Attenuation PAD switchable off/-20 dB
Microphone Inputs: Maximum Input Level (PAD off) +8 dBu
Microphone Inputs: Maximum Input Level (PAD on) +28 dBu
Microphone inputs: EIN @ 60 dB Gain / 50 Ohm 1 -129,4 dBu(A)
Microphone inputs: EIN @ 40 dB Gain / 50 Ohm 2 -129,2 dBu(A)
Microphone inputs: THD Mic In @ 1kHz /40 dB Gain / +12 dBu 0,00018%
Power Supply (P48, IEC 61938) 48 V, max. ≥ 10 mA, switchable on/off
Hi-Z Inputs: Active switchable on/off
Hi-Z Inputs: Connector 2 x Jack 6.3 mm (1/4”), mono, unbalanced (front)
Hi-Z Inputs: Input Impedance 3.3 MΩ
Hi-Z Inputs: Maximum Input Level +21 dBu
Hi-Z Inputs: Minimum Gain 0 dB (PAD off)
Hi-Z Inputs: Maximum Gain +40 dB (PAD off)
Bargraphs per Channel -24 dBu to +24 dBu in 6 dB steps
Bargraphs Peak Hold indication @ +24 dBu (hold time approx. 3 sec.)
Headphone Output: Mono/Stereo switchable
Headphone Output: Connector jack 6.3 mm (1/4”), stereo (front)
Headphone Output: Volume Control for left & right channel + Master
Headphone Output: Output Impedance approx. 2 Ω
Headphone Output: Maximum Output Level +20 dBu into 150 Ω load impedance
Outputs: Connector 2 x XLR 3 M
Outputs: Output Impedance approx. 200 Ω
Outputs: Maximum Output Level +26 dBu into 1 kΩ load impedance
High Pass Filter 60 Hz, 12 dB/oct, switchable on /off
Product Dimensions (height x width x depth) 89mm x 483 mm x 242 mm
Weight 6.2 kg
Operating Conditions 0°C to +50°C; < 75% RH@ +40°C; non-condensing
Transport/Storage Conditions -25°C to +70°C; < 95% RH; non-condensing
Working Altitude < 2000 m
1)Typical output impedance of Neumann condenser microphones
2)Typical

Return and restocking option is available for private customers only. We will issue a refund/credit if you are not satisfied with your purchase and notify us within 10 days of product receipt. It must be returned in the original packaging and in saleable condition and must be returned freight prepaid. Return and restocking rights are not applicable for Audio/Video and software products. Shipping and handling charges to and from are not refundable.

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