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SSL announces that the System T, the next generation music production platform, is now optimized for immersive music.

Solid State Logic is considered a pioneer in surround sound production technology, continually innovating and designing mixing consoles that allow engineers to push the boundaries of what is considered possible.

System T continues this trend, combining the legacy of SSL with the next generation of production tools needed to handle immersive music quickly, efficiently and with amazing sound.

System T bridges the gap between DAW and controller allowing you to work as with a traditional console.

System T at Mansion Sound

Its combination of state-of-the-art digital audio management and advanced production workflows, including Dolby Atmos, is complemented by SSL’s legendary production tools optimized for immersive music production, providing immersive signal paths and multi-format objects.

SSL dynamics and EQs are available on every channel and bus, along with 3D panning, DAW control, dynamic automation, Dante integration and a built-in effects rack.

Complementing System T’s immersive production toolkit is a market-leading monitoring section, providing up to 9.1.6 control room monitoring.

System T is the next-generation production platform that empowers sound engineers to excel at producing cutting-edge music while generating immersive content that stands out from the competition.

Immersive mixing has never been easier on a console. System T is configured for multiple immersive audio formats including Dolby Atmos Music, especially with 7.1.2 beds. Individual formats are configurable up to 7.1.4.

A full monitor section provides up to 9.1.6 control room monitoring with 2×24-way external source selectors and a renderer insert point.

Included as standard are multi-channel Effects Rack modules with 7.1.2 bus compressors.

3D panning is comprehensive and intuitive, with both XYZ and rotational Theta modes.

Integrated object control is provided for panner plug-ins that run in DAWs. The compressor and gate bus links allow batch processing on discrete objects.

A dedicated LFE management function simplifies signal flows.

Get immersive!

Sono un ingegnere elettronico con la passione per la musica ed il suono. Mi sono avvicinato alla musica da autodidatta (salvo una breve parentesi alla University of the Blues di Dallas) e ho suonato nei peggiori locali italiani (con casuali puntate all'estero).
Ho costruito la mia prima radio FM appena finita la terza media. Ho continuato con amplificatori a valvole e transistor fino ad arrivare alla produzione di circuiti integrati.
Collaboro da anni con varie riviste (cartacee e web) di musica nelle quali mi occupo di recensioni di strumenti musicali e sistemi per l'elaborazione del suono. Trovate le mie pubblicazioni su Accordo (accordo.it), la rivista Chitarre (dal 2010 al 2015) e su Audio Central Magazine (audiocentralmagazine.com).
Produco musica da un po' nello NTFC Studio che serve sostanzialmente per le produzioni di NTFC Band.