• 6-voice polyphonic analog synth
  • 4-octave semi-weighted keyboard sensitive to velocity and aftertouch
  • 3 discrete VCOs per voice
  • Waveforms: triangular, sawtooth (straight and reverse), pulse with variable width
  • Ability to activate all waveforms simultaneously
  • Hard Sync: Oscillator 1 synchronizes with oscillator 2
  • Keyboard tracking on/off (oscillator 3)
  • Oscillator feedback and drive controls for signal saturation
  • Noise Generator: white noise
  • Unison mode (monophonic):
    configurable number of voices, from one to all six voices, chord memory and tonic mode.
  • Two- or four-pole switchable low-pass ladder filter
  • Self-oscillation with Resonance control
  • 2 four-stage envelope generators (ADSR)
  • LFO 5 waveforms: sine, sawtooth, square and random
  • Syncable LFO
  • POLY MOD
  • VINTAGE mode
  • Aftertouch
  • Velocity

Sequential Trigon 6

6-voice analog synth with 3 newly developed VCOs

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  • 6-voice polyphonic analog synth
  • 4-octave semi-weighted keyboard sensitive to velocity and aftertouch
  • 3 discrete VCOs per voice
  • Waveforms: triangular, sawtooth (straight and reverse), pulse with variable width
  • Ability to activate all waveforms simultaneously
  • Hard Sync: Oscillator 1 synchronizes with oscillator 2
  • Keyboard tracking on/off (oscillator 3)
  • Oscillator feedback and drive controls for signal saturation
  • Noise Generator: white noise
  • Unison mode (monophonic):
    configurable number of voices, from one to all six voices, chord memory and tonic mode.
  • Two- or four-pole switchable low-pass ladder filter
  • Self-oscillation with Resonance control
  • 2 four-stage envelope generators (ADSR)
  • LFO 5 waveforms: sine, sawtooth, square and random
  • Syncable LFO
  • POLY MOD
  • VINTAGE mode
  • Aftertouch
  • Velocity

Sequential Trigon 6

6-voice analog synth with 3 newly developed VCOs

Sequential Trigon 6 is a 6-voice polyphonic analog synthesizer, with 3 specially designed oscillators and a low pass ladder filter. Developed by the Sequential team, the last concept contributed by the late Dave Smith, Trigon 6 is an instrument capable of generating any typical sound in the history of analog as well as modern synth tones for those musicians, sound designers and/or producer always looking for innovation in the studio or on stage.

The Sequential Trigon 6’s analog sound engine is presented within a 4-octave velocity- and aftertouch-sensitive keyboard with arpeggiator and 64-step polyphonic sequencer. The 3 VCOs offer triangle, saw and pulse waveforms that can all be activated simultaneously if necessary. There is also a white noise generator. The ladder filter is configurable to 2 or 4 poles. 2 are the ADSR (filter and amplifier), among the various modulation possibilities we also point out LFO and Poly Mod. On the effects front, Trigon 6 offers us an analog stereo distortion, two 24-bit/48kHz digital processors with reverb effects , delay, chorus, flanger, phase shifter and ring modulator. 500 are the factory presets, 500 are the user ones.

In the Trigon 6 we find the best qualities of Sequential’s acclaimed Prophet 6 and OB 6 synthesizers, but with an extra edge. 6-voice polyphony, easy programmability with each function managed by a dedicated potentiometer, a four-octave semi-weighted keyboard sensitive to velocity and aftertouch both programmable. What differentiates it from its predecessors is its beating heart composed of 3 newly designed VCOs and a 2 or 4 pole configurable VCF ladder filter. The filter is an improved version of the ladder filter that Sequential created for its Pro 3 monophonic synthesizer.

Modulations in Sequential Trigon 6

On the dashboard of the Trigon-6 we find a complete and well-stocked modulation structure for sound design. There are also the must-haves of Sequential, including the 2 ADSRs, one dedicated to the filter and the other to the amplifier, an LFO that can be synchronized with multiple waveforms and destinations, a powerful but simple to use 64-step polyphonic sequencer and an arpeggiator with a range of up to three octaves. Unison lets you use the Trigon 6 as if it were a monophonic synth. This means that we can play one to six notes from a single key. Considering that each note is made up of three oscillators, in this mode we will be able to play up to 18 oscillators with a single note! Sequential’s classic Poly Mod is also present, a particular polyphonic modulation that allows you to use an oscillator as if it were an LFO: playing low notes, the LFO will be slow, and as we go up the note, the LFO will increase its oscillation speed. This function invented by Dave Smith is used exactly as it was 45 years ago and still amazes today for how it manages to create particular and distinctive sounds.

The 1000 memories of Trigon 6

There are 1000 preset locations on Trigon 6. 500 are the factory ones, which include presets of various categories, from basses to leads, from pads to plucks and many others. The remaining 500 can be saved by the user very easily and quickly, without losing concentration.

The Effects Section of the Trigon 6

The effects could not be missing to make the sound even more malleable and adaptable to your needs. Thanks to the two digital effects you will have studio quality reverbs, delays (standard and BBD), chorus, flanger, phaser and ring modulator at your disposal. The stereo distortion is 100% analog, operated by a dedicated potentiometer and gradually adds warmth or aggression.

The Vintage pot in the Sequential Trigon 6

The much loved and tested vintage potentiometer could not be missing. Now present in all Sequential synths, this function has revolutionized modern synthesis. With this potentiometer it is possible to gradually and completely randomly increase the intonation variations between voice and voice, the frequency response of the filter, the response times of the envelopes and of the amplifier. All this will make the sound of Trigon-6 even thicker, warmer and more organic. The behavior of the Vintage function is adjustable at will: you can obtain the stability of a perfect modern instrument, or take it to the extreme to emulate a time-worn synth.


Specifications

  • 6-voice polyphonic analog synth
  • 4-octave semi-weighted keyboard sensitive to velocity and aftertouch
  • 3 discrete VCOs per voice
  • Waveforms: triangular, sawtooth (straight and reverse), pulse with variable width
  • Ability to activate all waveforms simultaneously
  • Hard Sync: Oscillator 1 synchronizes with oscillator 2
  • Keyboard tracking on/off (oscillator 3)
  • Oscillator feedback and drive controls for signal saturation
  • Noise Generator: white noise
  • Unison mode (monophonic):
    configurable number of voices, from one to all six voices, chord memory and tonic mode.
  • Two- or four-pole switchable low-pass ladder filter
  • Self-oscillation with Resonance control
  • 2 four-stage envelope generators (ADSR)
  • LFO 5 waveforms: sine, sawtooth, square and random
  • Syncable LFO
  • POLY MOD
  • VINTAGE mode
  • Aftertouch
  • Velocity
  • Master clock with tap tempo
  • BPM control and display
  • Arpeggiator 3 octaves: up, down, up/down, random
  • 64-step polyphonic sequencer
  • Stereo analog distortion
  • 2 24-bit, 48kHz digital effects:
    reverb (room, hall, plate, spring), delay (full bandwidth digital delay), chorus, flanger, phase shifter and ring modulator
  • True Bypass: Maintains the all-analog signal path when digital effects are turned off
  • Backlit wheels
  • polyphonic portability
  • Preset Switch: When lit, the front panel is active
  • 500 user memories and 500 factory presets
  • Stereo audio output (left/mono and right): 2 1/4″ jacks
  • Headphone output: stereo ¼” TRS jack
  • MIDI ports: In, Out, Thru DIN and USB type B
  • Expression pedal input for cutoff management
  • Volume expression pedal input
  • Sustain pedal input
  • Footswitch input for sequencer start/stop
  • IEC AC power input
  • Maximum power consumption of 30 Watts
  • Dimensions and weight: 80.7×32.3×11.7cm; weight 9,5KG
  • Side panels in maple

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