Universal Audio 2-610
Dual Channel Tube Preamplifier
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Universal Audio 2-610s
Dual Channel Tube Preamplifier
The Universal Audio 2-610s is a two-channel tube microphone preamplifier based on the legendary Universal Audio 610 modular console. Third in the Universal Audio Classics product line, the 2-610 follows the 1176LN Limiting Amplifier and Teletronix LA-2A Leveling Amplifier in our commitment to authentic analog recording technology.
Designed by Bill Putnam, the Universal Audio 610 was among the first modular recording consoles. Early Universal Audio consoles were used in all of Putnam’s studios including Universal Recording in Chicago and United Western in Los Angeles. Many prominent engineers such as Bruce Swedien began their careers in these studios with this classic rotary knob console. The UA 610 was particularly well noted for its preamplifier, and has left its mark on countless classic recordings from Sinatra to Pet Sounds to Van Halen to LA Woman.
We carefully modeled the UA 2-610s after the microphone amplifier section of the 610 console. Unlike many vintage “style” mic pres, the 2-610s is true to the design of its predecessor. Our expertise in analog design translates into a classic tube preamplifier with all of the character of its vintage predecessor, yet designed for the requirements and rigor of the modern studio. We’ve taken great care to preserve the quality and character of the original, while adding functionality with more boost/cut settings, phantom power, direct inputs and impedance controls. The Universal Audio 2-610s Mic Pre is the perfect tool for tracking and ideal when used in conjunction with a Universal Audio compressor such as the 1176LN and Teletronix LA-2A. Whether you’re running pure analog or seeking to enhance your digital audio workstation, the 2-610s will bring classic tube character to your recording.
Classic Sound of the Legendary 610 Modular Console
Variable Input Gain and Output Levels
Ultra Quiet Operation
Mic, Balanced Line, and Hi-Z Inputs
Multiple Impedance Settings
Custom Wound Double Sized Alloy Transformers
|Connections & Controls|
|Inputs||Microphone (Female XLR)|
Balanced Line (Female XLR)
Unbalanced Line/Instrument (1/4″ jack) (D.I.)
|Outputs||Balanced Line (Male XLR)|
|Input Select||Microphone: 500 ohm, 2 kOhm|
Hi-Z instrument: 47 kOhm, 2.2 MOhm
(Input Feedback Control)
|5 dB increments @ -10, -5, 0, 5, 10 dB|
|Output Level Control||Attenuation|
|HF Shelf EQ||Switchable boost/cut: 1.5, 3, 4.5, 6, 9 dB|
Corner Frequency Select: 4.5 kHz, 7 kHz, 10 kHz
|LF Shelf EQ||Switchable boost/cut: 1.5, 3, 4.5, 6, 9 dB|
Corner Frequency Select: 70 Hz, 100 Hz, 200 Hz
|Other||Polarity Reverse Switch|
48 Volt Phantom Power Switch
|Input Impedance||Microphone (selectable)-500 ohms or 2K ohms|
Microphone Input Level
|Frequency Response||20Hz to 20kHz /- 1 dB|
|Max Gain||61 dB|
|Siginal to Noise Ratio||Greater than 82 dB|
|Vacuum Tubes||one 12AX7A and|
one 6072A per channel
|Power Requirements||115/230 volts|
|Dimensions||19″ Rackmount chassis, 2U|
|Dimensions||60 × 40 × 30 cm|
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